Amidst her ongoing struggle with cancer, Betty and her partner Mark embark on a final journey with the intent of carrying out a suicide pact. Initially united by love, impending doom strains their bond, turning them against each other.

One year after their father’s death, Charlie and Betty continue to ignore their grief, each other, and the mysterious creature following them. Their estranged Uncle Pete, believed to be dead, claims to know how to end the suffering.

After environmental activist Kharis Redwater is called back to the living world by her mother Mary Lynn after a questionable “accident” that cost Kharis her life, an ancient spirit is reborn outside of a small northern town out of revenge for the loss of her daughter’s life. Kharis returns as a Wheetago, a ferocious creature that only gets hungrier the more it eats. Can an ex-military Park Ranger, Stacy Cole, and Police Officer, Betty Stonechild, call back their traditional teachings to stop Kharis before she continues to feed on all who get in her way?

This film adaptation of Irving Berlin’s classic musical stars Betty Hutton as gunslinger Annie Oakley, who romances fellow sharpshooter Frank Butler (Howard Keel) as they travel with Buffalo Bill’s Wild West Show. Previously off target when it comes to love, Annie proves you can get a man with a gun in this battle-of-the-sexes extravaganza, which features timeless numbers like “Anything You Can Do” and “There’s No Business Like Show Business.”

A Chance in the World is the unbelievable real life story of Steve, a wounded and broken boy destined to become a man of resilience and vision. From the day he is five-years-old and dropped off at his foster home of the next eleven years, Steve is mentally and physically tortured by Betty (his foster mother), Willie (her husband) and his foster siblings. Desperate for a sense of family and belonging, Steve searches for his biological parents, but no one in the system can help him. No one can tell him why, with obvious African-American features, he has the last name of Klakowicz.

Grace Metalious’ once-notorious bestseller Peyton Place is given a lavish — and necessarily toned-down — film treatment in this deluxe 20th Century-Fox production. Set during WWII, the film concentrates on several denizens of the outwardly respectable New England community of Peyton Place. Top-billed Lana Turner plays shopkeeper Constance McKenzie, who tries to make up for a past indiscretion — which resulted in her illegitimate daughter Allison (Diane Varsi) — by adopting a chaste, prudish attitude towards all things sexual. In spite of herself, Constance can’t help but be attracted to handsome new teacher Michael Rossi (Lee Philips). Meanwhile, the restless Allison, who’d like to be as footloose and fancy-free as the town’s “fast girl” Betty Anderson (Terry Moore), falls sincerely in love with mixed-up mama’s boy Norman Page (Russ Tamblyn).

When Betty Anne Waters’ older brother Kenny is arrested for murder and sentenced to life in 1983, Betty Anne, a Massachusetts wife and mother of two, dedicates her life to overturning the murder conviction. Convinced that her brother is innocent, Betty Anne puts herself through high school, college and, finally, law school in an 18 year quest to free Kenny. With the help of best friend Abra Rice, Betty Anne pores through suspicious evidence mounted by small town cop Nancy Taylor, meticulously retracing the steps that led to Kenny’s arrest. Belief in her brother – and her quest for the truth – pushes Betty Anne and her team to uncover the facts and utilize DNA evidence with the hope of exonerating Kenny.

In this feature-length film based on the “Flintstones” TV show, secret agent Rock Slag is injured during a chase in Bedrock. Slag’s chief decides to replace the injured Slag with Fred Flintstone, who just happens to look like him. The trip takes Fred to Paris and Rome, which is good for Wilma, Barney, and Betty, but can Fred foil the mysterious Green Goose’s evil plan for a destructive missile without letting his wife and friends in on his secret?

In this playfully provocative story set amidst the often-turbulent backdrop of gentrification, things get hot when an openly gay white couple moves into an East L.A. neighborhood where the locals have more than skeletons in their closets. The arrival of the Anglo newcomers rocks the quiet world of Diego Campos (Rene Alvarado), a handsome young local who is tired of being played for a boy toy by his closeted real estate agent lover Pablo (David Beron). Will Diego stay at home and fulfill his Mexican grandmother’s desire for him to inherit the family restaurant – or will he follow his heart and become a chef in the big city? Award winning producer Carlos Portugal makes his directorial debut with a winning combination of quirky characters, rich storylines and suggestive situations that will appeal to fans of Latino telenovelas and popular series such as “Sex and the City,” “Ugly Betty” and “Queer As Folk.”

Secrets, murders and lies… all in the name of family. In the middle of nowhere sits the Armadillo Café.The once popular, but now desolate, café is run by a strange family led a troubled, booze-addled mother (Betty Buckley) and a disturbed family (Lori Heuring, Brad Renfro, Jonathon Schaech). Their dark secrets are threatened when Sarah (Clare Kramer) arrives, seeking answers to her past.Turmoil reigns and emotions boil over as the horrifying truth unravels and Sarah barely escapes with her life.